Afrocentric Magazine presents to you its 3rd Edition. Sporting a new look, the magazine is not only hot, fresh, compact and sassy but so is its content! This edition celebrates and honors young Malawi’s diversity. Get the word straight from our Exclusive with Tha Gosple; we honor the unsung hit spinners and artists Deejay Lomwe and Deejay Kali.We rep Blantyre in its finest! Check out our new section celebrating Art in all its forms, it’s the visual and the literal! We give you the young hustle; see who is doing what, where and how! Also find out why people hate on Tay Grin! Free Downloads!!! Fresh music from Malawi’s own first ever rock band Mafilika and others. Blog with us, we like to know what you are thinking, rest assured Lola’s Groupie Memoirs will leave your tongue tied and in case you didn’t know Nostimi makes fashion hot!!! Afrocentric, Proud To Be!
www.afrocentricmagazine.net
Saturday, April 24, 2010
Sunday, March 28, 2010
Telling it Like it Is: Bassik aka Kapp (Producer and Emcee)
by Naninde James
Artist Worked With
I’ve produced for a range of artists. They include Navio (of Klear Kut), Skye Wanda, Trey, PHA Ella, Manelisi, Third Eye, David (formerly known as Jerome), Young Poet, Abdus Salam and Marvel
What I have done
Projects that I’ve been a major part of are the ‘given mixtape’ released in September 2007 in Durban which had two tracks on the hype sessions vol 14; I produced ¾ of the mixtape, ¾ of the beats on Navio’s album were produced by me as well.
What I am doing
Currently I’m working on the KR (formerly known as KRT) album called Heartfelt the Soul. Recently I just finished my mixtape called the diversions vol 1.
Where it all Started
I began hip-hopping in the early nineties driven into it by artists like Nas, Wu-tang, Gangstarr, Rakim and many more. Started rhyming at 11 but seriously got into it around 1999 just after the whole Bantu clan movement which included some of the guru’s of Malawian hip-hop. I went by the name of Icekapp.
How long I have been doing this
I’ve been a Producer since 2000 Using Fruity Loops to stir up tight beats. My inspiration comes from Soul music.
My Malawi hip hop perspective
Hip hop is plastic in this country at the moment coz I feel alotta dudes are rushing for the media and to satisfy the media as breakthrough artist’s peeps go bubble gum. I recently checked out the Abstract mag which had hip-hop quotes of certain artist’s rhymes and it made me laugh coz it was pathetic.
On the Media
I feel the media has a lot to learn about hip-hop in this country in order for it to progress. We should have credible artists featured in the media wave not anyone who picks a pen jots down a few lines and hits the studio.
What’s important?
One important thing about life is that as a music lover you have to have good time management skills always put school first if you’re studying
One!
Artist Worked With
I’ve produced for a range of artists. They include Navio (of Klear Kut), Skye Wanda, Trey, PHA Ella, Manelisi, Third Eye, David (formerly known as Jerome), Young Poet, Abdus Salam and Marvel
What I have done
Projects that I’ve been a major part of are the ‘given mixtape’ released in September 2007 in Durban which had two tracks on the hype sessions vol 14; I produced ¾ of the mixtape, ¾ of the beats on Navio’s album were produced by me as well.
What I am doing
Currently I’m working on the KR (formerly known as KRT) album called Heartfelt the Soul. Recently I just finished my mixtape called the diversions vol 1.
Where it all Started
I began hip-hopping in the early nineties driven into it by artists like Nas, Wu-tang, Gangstarr, Rakim and many more. Started rhyming at 11 but seriously got into it around 1999 just after the whole Bantu clan movement which included some of the guru’s of Malawian hip-hop. I went by the name of Icekapp.
How long I have been doing this
I’ve been a Producer since 2000 Using Fruity Loops to stir up tight beats. My inspiration comes from Soul music.
My Malawi hip hop perspective
Hip hop is plastic in this country at the moment coz I feel alotta dudes are rushing for the media and to satisfy the media as breakthrough artist’s peeps go bubble gum. I recently checked out the Abstract mag which had hip-hop quotes of certain artist’s rhymes and it made me laugh coz it was pathetic.
On the Media
I feel the media has a lot to learn about hip-hop in this country in order for it to progress. We should have credible artists featured in the media wave not anyone who picks a pen jots down a few lines and hits the studio.
What’s important?
One important thing about life is that as a music lover you have to have good time management skills always put school first if you’re studying
One!
Thursday, March 25, 2010
3rd Eye L's City's Finest!
by Tendy Kay
“I get high on myself, I am so deep inside”
Record Label: Next Plateau
Albums in the bank: Imagine Being Jesus and Not Knowing It
Producers: Dominant One, He-Rum (Nairobi), Mo Blak Beatz
Collabos: Ice Kapp, Rising Sun, Erasto, The Chosen One, Vareta Nine, Dominant One and Phi-Ella
1st Ever: The Exodus (Which never came out)
Nu project: “Taking Kandy from a Blind Baby” dropping December
Look Out: “Intrigue and Delegate,” a collaboration album with Dominant One, drop to be announced
Did you always know you’d be rapping?
Did you always know you'd be here asking me that?. I was cheeky enough to know I was destined for greatness at a very young age though. I always thought I was gonna be president by the age of twenty. Seriously though, you can't know the future you can only feel it coming. It's the experience of meeting the future in today that leads to knowing, thus the term "the present" and utterances such as "I knew it!"
‘A gud day to die’ a personal tip, how has hip hop affected your family, knowing the myth; music or hip hop don’t bring no food?
I think they'd be in a better position to answer that. You know they say "assumption is the mother of all f... ups!"
Imagine being Jesus and not knowing it, what makes you God’s son the Third Eye?
We're all God's children, ask Jesus. Speaking of which, I guess that's why he's the most remembered of all God's children so far. We all go though the same in many ways (being poor, exile, social and political crucifixion etc).There's a little bit of the Jesus myth in all our personal stories. What I'd say "makes this particular God's son the Third Eye" is his "four-sight".
Your previous single “Burning Bush,” insinuates a lot of global politic is it a gimmick to sale?
It was the name of my first single ever. I meant every word and breath burning Bush. The truth will set you free when the liars pay a fee.
As an artist do you ever think about things like commitment to the culture or responsibility as a musician?
I think about my responsibilities as a man period. Music is just my instrument of choice
What inspired this album?
Pain.
From the Mix Tape Moto Wayaka by D 1, “Back again” had you done other projects before this?
'The Ten plagues of Moses’ and 'The Final Call' mix tapes in 2004 and 2005 respectively.
Repn where you’re; from knowing that not everyone comes from a ghetto, how does that influence your music?
The name "ghetto" is a term given to locations allocated to Jews during the holocaust to keep them poor, suffering and easier to eliminate. Africa's the largest single ghetto on the planet. It's only real surburbs are the rich and fertile locations the foreigners now occupy, keeping most of it to themselves and re-distributing the lesser part of it to the African elite, also known as "the black muppet puppets". People might think it's a gimmick when I record burning Bush last year instead of noticing the connection in rising global oil prices this year and even worse question why I big up Comrade Robert Mugabe in my music for re-re-distributing that fertile land I'm talking about to the Africans trapped IN the ghetto. Still, my music is aimed at people's souls not where their bodies stay.I don't use it to represent no ghetto, I re-present humanity.
How’s the hustle in the hip hop industry in Malawi?
Like any other independent hustle in Malawi right now.
Your sound is very influenced by American hip hop, “they took away our peace but will took away our dreams” (Sum Day). What are you doing to stamp it with Malawi?
I'm going there soon to perform songs like Burning Bush live, that's how
“I chose heavenly wealth over my bodily health, now it’s a wrap on this thing you called rap, I aint no rapper son” (Re-cognize) I know some rappers are conscious, others mainstream while others are commercial, what you call yourself?
The name 'Third Eye' itself is the epitome of consciousness.
Your lyrics are quite spiritual, tell me about the highly elevated ‘gud morning?’
Heaven is a brother away.
“Jealous, envy pave way to derangement” (Left Overz), what’s your experience with beef on the scene?
I recently got dissed by a gospel rapper. Incidentally his name is David.
Lyrically how do u get insp-hired
“ I get high on myself, I am so deep inside” Its the metaphysical.
Burning Bush was basically you and D 1, what’s it like working with D1?
We been dropping science together forever. It's always been second nature. Watch out for 'Intrigue and Delegate' coming soon by the way.
I hear your first break came in Kenya: K-South, when does it get real in Malawi, are you rocking any major shows?
My first serious show, Doobeez from K-South put me on. He's my brother from another mother. He'd even hold up the show mid-way and let me speak my mind in front of 500 people when I was only twenty. He was twenty eight at the time so it's humbling to know how much respect he had for me both as an emcee and a person given his stature. Malawi's Malawi. The name means flames so I guess it's hard as hell. Next up though, me and D are performing at the next Lake of Stars this October but we're headlining it along with huge local acts like Black Missionaries and Lucius Banda. See you when you see me!!!
“The Calling” what keeps you going in life as well as in music? Is God still breathing after all your losses and struggles?
Faith. God breathes through you and me
"Every bush burn by the fire they keep/caressing my third eye I will never sleep" (Burning Bush)
what’s next?
Take a guess, be my guest...
www.myspace.com/thirdeyeafrika.com
Visualize to Realize by Chigo Gondwe
Take off your blindfolds-open your eyes
Trust in your Vision, the future’s here at last
Everything is possible; it’s all up to you!
You are capable and able, the power’s in your hands
You are capable and able, the power’s in your hands
If you want to see the future
Open your eyes
From morning to night
So let your light shine!
When the time is right
You’ll feel your spirit rise!
Hold on to your pride
And stand the test of time
There’s power in your Vision
Strength in communication
Working together to succeed is our mission
If you want to see the future
Visualize to realize…..Visualize to realize….Visualize to realize!
Our ancestors have raised
True sons and daughters
Committed to our country’s timeless future
We are builders, protectors
And yes, we are leaders!
Our journeys are the rhythm
That charges our Vision
There is no task too or too difficult you see
We got Commitment, Leadership, Teamwork
Union,Motivation and yes we got Vision
Focus, Fairnes,Intergrity and Reason
Performance excellence, Strength and respect
We’re capable and able, the power’s in our hands!
We’re capable and able, the power’s in our hands!
So if you want to see the future
Open your eyes!
From morning to night
So let your light shine!
When the time is right
You’ll feel your spirit rise
Hold on to your pride
And stand the test of time
There’s power in out Vision
Strength in communication
Working together to succeed in our mission
If you want to see the future
Visualize to realize…..Visualize to realize….Visualize to realize!
Trust in your Vision, the future’s here at last
Everything is possible; it’s all up to you!
You are capable and able, the power’s in your hands
You are capable and able, the power’s in your hands
If you want to see the future
Open your eyes
From morning to night
So let your light shine!
When the time is right
You’ll feel your spirit rise!
Hold on to your pride
And stand the test of time
There’s power in your Vision
Strength in communication
Working together to succeed is our mission
If you want to see the future
Visualize to realize…..Visualize to realize….Visualize to realize!
Our ancestors have raised
True sons and daughters
Committed to our country’s timeless future
We are builders, protectors
And yes, we are leaders!
Our journeys are the rhythm
That charges our Vision
There is no task too or too difficult you see
We got Commitment, Leadership, Teamwork
Union,Motivation and yes we got Vision
Focus, Fairnes,Intergrity and Reason
Performance excellence, Strength and respect
We’re capable and able, the power’s in our hands!
We’re capable and able, the power’s in our hands!
So if you want to see the future
Open your eyes!
From morning to night
So let your light shine!
When the time is right
You’ll feel your spirit rise
Hold on to your pride
And stand the test of time
There’s power in out Vision
Strength in communication
Working together to succeed in our mission
If you want to see the future
Visualize to realize…..Visualize to realize….Visualize to realize!
Chigo Gondwe: Until Africa is free… here’s to life, love and everything in between!
By Tendy Kay
Looking at your background, you have done a lot of creative things like singing and performing but when did you realize poetry was your thing?
God is a poet. At least that’s what I believe… So, there is an inborn poetic talent in each of us though I can’t really say that Poetry is my “thing”. Rather, it is one of the many ways in which I am able to best express myself and stretch my senses – my thoughts and dreams, my fears and hopes, my fantasies and reality, my inspirations and aspirations. I’m not sure when the light bulb came on (bling!) but I started dreaming of one day being a writer and versing my sentiments as well as those writers and poets did in those books. Man, they filled those dull creamed white pages with such colour that made my world come alive. I toyed with my writing ability throughout primary school and secondary/high school and haven’t stopped fiddling with it till now.
You call yourself an ethno-urban-hip hop-soul-poetess; what exactly is this style of poetry?
Ethno-Urban-Hiphop-Soul-Poetess, that’s what I am. It is not a style of poetry but merely an expression of the various creative elements that inspire my writings and spoken word performance. It is not part of slam poetry neither is it beat poetry. Ethno is for the pride I feel towards my African tribal and traditional roots, the essence of my poetry – a stamp that reads “proudly made in Africa”. Urban stands for the places that drive me and make me ‘tick’, the hub from where I draw my inspiration, the place where I experience life as I know it. Hiphop is the musicality associated with my poetic renditions, the rhythm my words dance to when pen meets paper and hand touches mic. Soul is the source of my words and their meanings, the root of my attitudes and beliefs, the home of my values and aspirations. Poetess is for the woman that I am, an epitome of the femininity of poetry.
You are an activist for cultural heritage, tell me about the initiatives you have started or you are part of, in either Malawi or South Africa?
There is so much to tell you about my role in cultural activism. Currently I have a company called Afro Poetics Creations which focuses on arts promotion, public relations and strategic marketing-communications all geared towards entrenching a sense of African identity among the continent’s business fraternity. As a creative agency started in SA, we have produced various TV broadcast events such as the SABC/African Bank Voice of Choice Awards, the launch of SABC Kids News Room – the only children’s television news programme in Africa, radio programming for all SABC 13 black public broadcast radio stations for Youth Day and Heritage Day celebrations, etc. All these projects were rooted in promoting African values and value systems as well as harnessing the wisdom of our indigenous knowledge systems and communicating this to youth across South Africa. It is vital if we are to attain leadership of our nations in the future, we have to know who we are, what we have, how to use our resources and how to preserve such knowledge for future generations. I am also an Executive Director of the African Cultural Link, an NGO co-founded with a colleague in RSA to promote African cultures and arts. I am also the Vice-President of the Afrocentric Club in RSA (a branch will hopefully be registered in Malawi soon), a voluntary association aimed at progressing African values and values systems in the workplace and platform for marketing African companies and products to potential “buyers” around the world. I initiated the I AM Afrika Cultural Tour in 2005 as a vehicle for curbing xenophobia among South African youth – this included a series of business-arts workshops, shooting of a film documentary, live performances, strategic meetings with corporate, creatives and government stakeholders including Chief Mtwalo of Mzimba, visits to heritage sites and lifestyle hubs, etc. Afro Poetics is registered for business here in Malawi too and the Afrocentric Club will soon have a home here too as soon as we hear back from the registrar of companies. I have organised several Africa Day events as well as African Cultural Evenings in SA to promote unity among Africans and they were successful. Maybe I can do them here too – we will see.
With reference to a statement that you made in your book, you said your fight is to end all forms of racism in Africa, do you feel there is racism in Malawi?
There is definitely racism in Malawi, it has always been here – not as blatant as in places like South Africa, the UK or the US but it is here nonetheless. Strangely, I sometimes understand Malawi’s brand of racism, it is more reactionary than anything – people want to preserve what is theirs and what has belonged to their fore-parents for centuries and sometimes the way privileges are awarded to non-Malawians as compared to what Malawians are often afforded in their own country is enough to drive a sane woman like me crazy. I may develop a resentment towards Indians, for example, simply because they have been allowed to buy up almost if not all of Limbe town whereas I would never be afforded that same privilege if I went to India. I can’t go to India and build a Church complete with swinging bell and a psalmist in the middle of an Indian city but here they do that with no regard for whether or nor they do it in Christian communities. It is absurd. White people have been allowed to purchase land (even islands) along some of the best lake shores in the country but Malawians are struggling to get the same privilege in our country or even in Europe and the USA. Makes you think, wonder and slander! These, I think, are some of the issues that breed racism – land issues, obliteration of a natural people’s way f life and spirituality in favour of one that is alien to both the land and its people. One thing I know for sure, if anyone dares to get racist on me in my motherland, the mere sound of my words will send them to the border fast with a one way ticket in hand never to return. I can’t tolerate such things and have no patience for it either. I hate racism, tribalism, xenophobia and all these things but I know that they are real issues that we grapple with as a global society and the only solution is to breed more love – love of self and ultimately love of others. Change is happening and I hope that soon Malawians will be treated with respect by the foreigners that visit our country, with the same sense of dignity that we pride ourselves in having.
Looking at your background, you have done a lot of creative things like singing and performing but when did you realize poetry was your thing?
God is a poet. At least that’s what I believe… So, there is an inborn poetic talent in each of us though I can’t really say that Poetry is my “thing”. Rather, it is one of the many ways in which I am able to best express myself and stretch my senses – my thoughts and dreams, my fears and hopes, my fantasies and reality, my inspirations and aspirations. I’m not sure when the light bulb came on (bling!) but I started dreaming of one day being a writer and versing my sentiments as well as those writers and poets did in those books. Man, they filled those dull creamed white pages with such colour that made my world come alive. I toyed with my writing ability throughout primary school and secondary/high school and haven’t stopped fiddling with it till now.
You call yourself an ethno-urban-hip hop-soul-poetess; what exactly is this style of poetry?
Ethno-Urban-Hiphop-Soul-Poetess, that’s what I am. It is not a style of poetry but merely an expression of the various creative elements that inspire my writings and spoken word performance. It is not part of slam poetry neither is it beat poetry. Ethno is for the pride I feel towards my African tribal and traditional roots, the essence of my poetry – a stamp that reads “proudly made in Africa”. Urban stands for the places that drive me and make me ‘tick’, the hub from where I draw my inspiration, the place where I experience life as I know it. Hiphop is the musicality associated with my poetic renditions, the rhythm my words dance to when pen meets paper and hand touches mic. Soul is the source of my words and their meanings, the root of my attitudes and beliefs, the home of my values and aspirations. Poetess is for the woman that I am, an epitome of the femininity of poetry.
You are an activist for cultural heritage, tell me about the initiatives you have started or you are part of, in either Malawi or South Africa?
There is so much to tell you about my role in cultural activism. Currently I have a company called Afro Poetics Creations which focuses on arts promotion, public relations and strategic marketing-communications all geared towards entrenching a sense of African identity among the continent’s business fraternity. As a creative agency started in SA, we have produced various TV broadcast events such as the SABC/African Bank Voice of Choice Awards, the launch of SABC Kids News Room – the only children’s television news programme in Africa, radio programming for all SABC 13 black public broadcast radio stations for Youth Day and Heritage Day celebrations, etc. All these projects were rooted in promoting African values and value systems as well as harnessing the wisdom of our indigenous knowledge systems and communicating this to youth across South Africa. It is vital if we are to attain leadership of our nations in the future, we have to know who we are, what we have, how to use our resources and how to preserve such knowledge for future generations. I am also an Executive Director of the African Cultural Link, an NGO co-founded with a colleague in RSA to promote African cultures and arts. I am also the Vice-President of the Afrocentric Club in RSA (a branch will hopefully be registered in Malawi soon), a voluntary association aimed at progressing African values and values systems in the workplace and platform for marketing African companies and products to potential “buyers” around the world. I initiated the I AM Afrika Cultural Tour in 2005 as a vehicle for curbing xenophobia among South African youth – this included a series of business-arts workshops, shooting of a film documentary, live performances, strategic meetings with corporate, creatives and government stakeholders including Chief Mtwalo of Mzimba, visits to heritage sites and lifestyle hubs, etc. Afro Poetics is registered for business here in Malawi too and the Afrocentric Club will soon have a home here too as soon as we hear back from the registrar of companies. I have organised several Africa Day events as well as African Cultural Evenings in SA to promote unity among Africans and they were successful. Maybe I can do them here too – we will see.
With reference to a statement that you made in your book, you said your fight is to end all forms of racism in Africa, do you feel there is racism in Malawi?
There is definitely racism in Malawi, it has always been here – not as blatant as in places like South Africa, the UK or the US but it is here nonetheless. Strangely, I sometimes understand Malawi’s brand of racism, it is more reactionary than anything – people want to preserve what is theirs and what has belonged to their fore-parents for centuries and sometimes the way privileges are awarded to non-Malawians as compared to what Malawians are often afforded in their own country is enough to drive a sane woman like me crazy. I may develop a resentment towards Indians, for example, simply because they have been allowed to buy up almost if not all of Limbe town whereas I would never be afforded that same privilege if I went to India. I can’t go to India and build a Church complete with swinging bell and a psalmist in the middle of an Indian city but here they do that with no regard for whether or nor they do it in Christian communities. It is absurd. White people have been allowed to purchase land (even islands) along some of the best lake shores in the country but Malawians are struggling to get the same privilege in our country or even in Europe and the USA. Makes you think, wonder and slander! These, I think, are some of the issues that breed racism – land issues, obliteration of a natural people’s way f life and spirituality in favour of one that is alien to both the land and its people. One thing I know for sure, if anyone dares to get racist on me in my motherland, the mere sound of my words will send them to the border fast with a one way ticket in hand never to return. I can’t tolerate such things and have no patience for it either. I hate racism, tribalism, xenophobia and all these things but I know that they are real issues that we grapple with as a global society and the only solution is to breed more love – love of self and ultimately love of others. Change is happening and I hope that soon Malawians will be treated with respect by the foreigners that visit our country, with the same sense of dignity that we pride ourselves in having.
Young Kay
Who is Young Kay, Hyphan or Broken Knowledge?
Your favorite rappers favorite rapper.....Nah...Maybe!! Well, a complicated kid for starters. Yeah, I sometimes believe kuti I have the whole multiple personality thing going on. Like all those names I use have different personalities, if you pay them that much mind. Quiet, shy, rather listen than talk...at least I think so. Crazy when I need to be!! But yeah that’s jus me man....complicated in the simplest way possible.
How does it feel to be voted one of Malawi’s finest lyricist?
It’s nice...no lie...I remember when I just started, a couple of people that are Malawian "famous" were talking behind my back like esh is this kid really serious!! There are a couple of people who i say kuti koma maniwa ali bo. So to be put above some of those is cool man...i think my sistaz n my brotha love that more kuti they say they related to young kay and it means a lil something...but whatever!!
Knowing the controversy that followed the vote is “Get it straight” a response to it?
Yeah, somehow in some way...I think people just generally love to talk about other people with a motive of boosting up their own ego or whatever and me being a quiet dude i usually let all that slip but sometimes zimatopesa. When you just starting umafunika kuti upange prove kuti you can hold your own after that people start to listen to what you have to say n i think i did that. I know there are more people listening than those that are bad mouthing the boy....it’s all love though!
Do think that Malawi has the potential of having its own “West and East side”
American situation “Tchuka ndiwe”?
What you mean L's and BT?? I dont know bout that....Malawi is too small to have such divisions. Besides we need to have people working together coz there are too many "I’m better than so and so" situations going on. If people think they better than the next man, stop talking and do a song. Prove kuti as much as the next man is getting respect for their word game; you deserve to be right there with them. What a lot of us are lacking is the follow up after that...yeah you nice...so what. We have worked hard for the skill to be where we are and now i think its time to make the skills work for us.
"The Call” what role do you think hip hop has on social problems when most hip hop artists perceived players?
Well it could maybe play a bigger role if people (rappers) got serious and made music that everyone will be able to listen to instead of nyimbo zokuti anthu akamwa amangoti koma "ma yo matama".... we could get there but there are a few things we doing thinking kuti its pushing this hip hop thing forward when its actually moving us back. I think radio stations are a problem. Every Tom, Dick and Harry can have their track played on radio as long as they know a couple of Deejay’s regardless whether the song is nice or not. Again those are steps backwards. They need to filter that stuff. If i have a track that’s not nice i dont want people to play that coz in the end we dont really know who is listening. We rappers do need to carry ourselves in a more respectful manner like for real for real. They say self respect permeates every aspect of your life. People don’t respect people who dont respect themselves. Osangopanga nyimbo however, just talking about whatever just because mwayi waku studio wapezeka....
Why did you choose to use Chichewa and English on Exhale?
Pali zinthu zina zimavuta kuzilongosola mu chizungu chokha chokha. It’s just something I’m comfortable with... plus, if done right, it sounds nice
On an emotional tip, Exhale had loving on it; do consider yourself a Gangsta Romeo?
Gangsta??? Not me!! Romeo, I’m not that either but every body needs love... i just happen to have a lot of it sometimes that i gotta share it. Let me know if you need some too!!
Exhale blew up on the Malawi hip hop market; can we hope to see you at some international awards?
With enough support I guess. If it happens it happens basi. I’m not in a hurry for that though. Being well established where you come from is really important... I need people to leave here and talk about young kay to them out there. Koma paja Malawi is not like that, we embrace things from out the country most of which we dont understand... go figure! Koma yeah... one step at a time i guess.
On Dezert Eagle and Yung starting their own Rocafella Records?
We already are that!! Ha ha!!!
We hear there is a new album coming “1st Impressions” what’s the inspiration behind it?
Well from the exhale which was my first ever project i kinda found out what my strong and weak points are so this next album is basically me show casing what I’m good at and most importantly what i feel. I’m inspired by new sounds...so i had to work with a couple of new people. Producers i have never hooked up with before and a couple of fresh voices that you might or might not know....its one hell of an album if i say so myself!
Any fresh collaborations heads should be waiting on?
The usual rush records familia. Plus a couple of other people i have respect for in "the game" but if we didn’t do a track limodzi it dont mean i dont respect you but i can only do so many tracks! Next time around if there's one.
If aspiring hip hop heads aren’t at Rush Records what are they missing?
I have no idea what these other people are up to nde i can’t say we doing something they not. i have a couple of people coming to me talkin bout they wanna join Rush but they dont even know what exactly that is. We still working on building ourselves up so we just happy to be recognized!
The Things They Said!
Hey everyone one!
Afrocentric Magazine would like to share with you some interviews and features that never made it in the magazine for one reason or another. We will be posting these interviews and features on this page as a blog called "The Things They Said!" Watch this space!
Afrocentric Magazine would like to share with you some interviews and features that never made it in the magazine for one reason or another. We will be posting these interviews and features on this page as a blog called "The Things They Said!" Watch this space!
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